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The Making of the
Roses of Eyam Snowman
By
Steve
Phillips |
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| When Andrew Bowker first asked me to make a
full size snowman prop for
the Roses of Eyam play, I knew it would be a big
challenge. This would be something very different from my
usual set
painting! And just to make it even more interesting, the
snowman needed to
have a distorted Oliver Cromwell face! |
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Having never made anything like this before, the first thing
I had to decide was what do I make it out of? I decided that the best,
low cost option was to use papier mache applied over a frame
made from wire netting (chicken wire).
Before starting the build, I needed a basic
design. Google Images is always good for
inspiration, so
I searched on “snowman” and “Oliver
Cromwell” and found some useful pictures. I then
did a couple of sketches and had a rough idea of what I wanted to
do. I knew the design might need to adapt to suit the
materials I was going to use.
The
first part of the build was to construct the frame. I bought
a roll of wire netting, and used this to make two cylinders. Cuts
were then made around the top and bottom of each cylinder, and the
netting was bent and fastened to form two large “snowball”
body sections. The two body sections were then fixed together
using wire. Next, two pieces of wire netting were used to make
the shoulders. The edges of the wire pieces were bent over to
secure them to the body.
OK, so far so good, but how was I going to make the he ad?
Various materials had been suggested to me (including polystyrene),
but by now I felt pretty confident in using wire netting, so decided
that I’d use strips of netting to form the basic head shape. It
also allowed me to model Oliver Cromwell’s long hair. Finally,
I used more wire netting to make the arms and hands.
With the frame finished, I could then start on the papier mache.
For the first layer, I used newspaper and PVA glue. Getting
the paper to attach to the wire was tricky, and with hundreds of pieces
of paper to glue on, it was very time consuming. But at least
I could now see the snowman taking shape.
For the second layer, I used white A4 paper. This
went on
easier, but was still taking a long time so I hoped the snowman
wouldn’t need a third layer!
It was at this stage that I had to make some modifications to the
base to increase the diameter and make the snowman more stable. It
was an unwanted delay, but these happen when you're making something
for the first time. I had some good news though when I tried
fitting the snowman in my car. It just squeezed in, so transporting
it to the church would be easier.
Back to the build and I knew the most critical part of
the snowman would be the face. So having finished applying the
white paper layer, I started to construct the basic structure of the
face using cardboard (old cereal packets!) held together with parcel
tape. I
then used more cardboard and folded pieces of newspaper to add features
like eyes, eyebrows, nose, lips, etc. A “skin” of
papier mache was then applied.
After applying an additional layer of papier mache around the base, all
that remained was to paint the snowman and make the sword. I chose a
textured ceiling paint as this was thick enough to cover the
edges
of the papier mache paper, but was still quite flexible. For
the
sword, I used the handle from a broken garden rake. Holes
were
cut in the top and bottom of the snowman's hand to locate it.
It was great to see the snowman in the Roses of Eyam production, and I was
pleased it survived the week of performances!
Building the
snowman was hard work, but very enjoyable and my advice to
anyone taking on a similar project is to just have a go; you'll be
surprised what you can achieve and it's very rewarding in the end. Good
luck.
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